Відео

thank you so much. chicky juuuuch from Iceland

Is there a way to individually process (eq/compression/reverb etc) each drum sound? Like eq kick one way, the snare a different way, big reberb on snare but none on kick and so on?

Follow up

Fantastic video Kang 👍

Appreciate the knowledge! SFG!

Again, appreciate your response ig yesterday ✊🏾

Hey Drank, this is REALLY good info. You are definitely an inspiration for me and others, no doubt!!! For those of you that are not on board with the Drank & the SFG, you are missing out🎉. Yes, please keep making follow-up videos JUST LIKE DIS!!! So we can keep making music!!!!!

Hell yeah bro! Preciate you fam! Peace & Blessings!!!

Dang Kang, you deserve a "Drank" for this one Mane! I (and anyone else who is Paying attention)Always Learn something useful from Your uploads. I have heard about Backwards Mixing but it wasn't demonstrated the way you did it. It makes it more Native to me since yu did it in the MPC software. Thanks again.

Great Tip!

The level setting tips are gold. I’ve done variations of it for decades. However, the backwards mixing tips are similar to the “Top Down” mixing technique which has been getting some outsized attention lately. I personally choose to not use this technique as it is a subtractive mixing technique instead of an additive mixing technique. It’s easier for me to work bottom up building my layers and effects on top of each other applying the bulk of my effects and dynamics to the individual elements or sub mix busses instead of the master bus. While my situation is a bit of “old dog, new trick,” I do feel that while the end results MIGHT be the same with either technique, the technique does tend to influence the result. Within the DAW or MPC itself, our concern is usually less about clipping within the channels as 32 floating bits makes it a non-issue for the mixer section, but it is an issue for the plugins that have specific thresholds. It is always best to follow best practices in level setting regardless of DAW or “real” audio gear. The real analog outboard gear has to be treated very precisely and is not tolerant of sloppy technique. I’m spoiled (and influenced) by my years of live sound mixing, where we configure the channels and all the channel processing so the faders sit at “unity gain” for the “normal” level. My mix is 95% there and I only need to touch the faders for guitar solos and normal variability during the performance. Because of this, I also tend to set my DAW and MPC up the same way. I don’t adjust the trim/gain knobs for what we call “gain staging” these days, I adjust them for the mix. Within reason, of course. I will gain stage the channel input so it hits the gate and compressor with normal predictable settings, but will gain up/down things (level set) so the fader itself is unity. When building a mix, I personally always start bottom up, by establishing the drums and bass at the levels I want. (A good start point is with the peaks of each setting at -9dB). Then I keep adding my layers (pads, samples, leads, vocals). The end result is my mix hitting around 0dB give or take. That’s where my master compression and limiting kicks in and keeps the levels and LUFS happy. The only exception is when I’m doing audio for video, or anything with a lot of spoken word as we work backwards by starting out with the vocal/voice and add the music and effects underneath. Anyway, good advice, and I always glean something useful to either directly incorporate or give me ideas on how to do something totally different. For example, you EQ’d into the compressor. Depending on the situation, I might do it into or out of the compressor, or both. EQ into the compressor so the compressor compresses the channel correctly and predictability and is influenced by the right frequencies. EQ out of (after) the compressor for tone. (Then let a light the buss glue compressor address the level variances). Yes, all methods are still an iterative process.

Good video but bro use only the mpc tools please

How did you adapt to the way it’s structured where it groups the drums together then all the add in instruments have there own track. Vs Making say 8 tracks at 12barloop Drums melodies everything have individual tracks Then jump into song mode And paste the 12barstamps out to build the song how you want then draw in the fade in/out with the knobs if you wanted or Evan add a riff to the stamped out song I don’t understand in song mode why you still see notes maybe it’s me and I’m going about structure wrong with it

🙏🏿

We need the follow up

Show us how you mix the rest. That was insightful!

Tappin in...One love bro

Awesome work Big G. Explains everything about gain staging before the DAW

Appreciate the gems, fam

I can tell u a engineer the way u mix so carefully u dope af bruh 💯

Great, keep em coming.

Sucks I can’t get the black Mpcx anymore to match my 61

Pads lose effects when routed. The effects are applied only on the main channel.

Yeah that hot sensa

🫡

Absolutely fire 🔥

Ok, well first off cool vid fam! I would have changed the way you did the drums with boom bap. Sound sto me didnt fit the vid of the sample. Would love to have an opportunity to have a stab at it and show you the drums I would use with it being boom bap. Nevertheless its cool! Blessings!

You got that DJ Jazzy Jeff 3X Dope Philly Soul Hip Hop feel going on feel like Billy Paul bout to croon all over this joint 100!!

I never listen to trap or watch video that make trap, it's the same beats, and pattern that make it all sound the same... That beat you made is Fire.. I had to subscribe to your channel.

That's Dope!

You layered everything pretty sick. The way you sequenced at the end brought everything together nice. Learned a lot

🎉🎉🎉🎉 Thanks for sharing !!!! Vibe of beat fire !!!!

sick...

Dope i feeling the vibe.

i wish you would explain more. what plug in what sound and why. just is more of just watching working u not teaching

That joint was 🔥 Dizzy 🎶💯

🔥

#Salute...👑✨👑

JOIN the SFG Producer Discord Discord.gg/sfgproducers

Replaying a sample to learn the detail is a great tip my friend... often simple loops can be complex when studied a bit deeper 😎👍🏼

@Dadrankkang can u just show us how to do beats just on the mpc instead on the software using just mpc tools in the system

Yo Drank Kang. Thank u so much for your knowledge on this music thang. We all Musicians that liv this muzic. Your tutorials inspire me as a artist/ producer

🔥🔥

Different and Good🎹

Learned so much about Music production from the Drank Kang plus great conversations during Skype tutorials

🤟

Dope!!!

🤟

Come vibe with us on Discord! Live chat and beat making. discord.gg/sfgproducers

THANKS TO @DRANK FOR THE OPPORTUNITY FOR US TO COLAB ,GET OUR BEATS SOLD ,MOST OF ALL . THE HELP WE ALL GET AND GIVE EACH OTHER . THE BEST COMMUNITY OUT THEIR . 💯 SFG RESPECT AND NO ZEROS